Cute Asian

This book captures the 30-year history of the East West Players (EWP), tracing the company's representation of Asian Americans through the complex social and cultural changes of the past three decades. The EWP was founded in 1965 by Asian American actors, including Mako Iwamatsu, James Hong, Beulah Quo, Pat Li, June Kim, and Yet Lock. Struggling against stereotypical representations of Asians in mainstream American culture and a scarcity of acting opportunities in the theater and film industries, EWP members have developed and staged new plays which dealt with Asian American subjects. Throughout its history, the changes in the focus and interest of the EWP reveal patterns in the development of Asian American ethnic theater. By examining productions and the progress of company members, and the forum offered for Asian American playwrights to stage new works, this study charts the vital contributions of the EWP to Asian American communities and to other Asian American theaters. While providing a much-needed historical overview of one of the founding Asian American ethnic theaters, this study also explores the relationship between performance and ethnic identity, and the negotiations between performers, audience, and larger social and political contexts. The ways in which specific and pan-Asian identities are negotiated through art and performance in this company challenge mainstream representations of Asians, re-envision Asian American history, and celebrate Asian American self-awareness.

In Dragon Ladies: Asian American Feminists Breathe Fire, prominent Asian American women writers, artists, and activists seize the power of their unique political perspective and cultural background to articulate an Asian American feminist politics and to transform the landscape of race, class, and gender in the United States. In sixteen critical essays, these writers draw on a wealth of personal experience and cogent analysis of Asian women's relationships to immigration, work, health, domestic violence, spirituality, cultural production, and the media. From the global trade in Asian women workers to the elitism of the white feminist movement, no ground is sacred. These women warrriors don't mince words but speak with fierce conviction and surprising insight. This book showcases the growing politicization of Asian American women and their emerging feminist movement. It will be a vital contribution to women's and Asian American studies, and a must-read for Asian women and girls everywhere.

Asian Pride - Asian Pride is a slogan used mostly by Asian American and Asian Australian youths to celebrate their east Asian heritage. The term Asian is actually a misnomer because the term Asian Pride only applies to East Asian of the type commonly called Oriental/Mongoloid.

Congressional Asian Pacific American Caucus - The Congressional Asian Pacific American Caucus (founded in May, 1994) is a group in the United States Congress who have a strong interest in promoting Asian Pacific American issues and advocating the concerns of Asian Pacific Americans. This broad term generally includes those of East Asian, Southeast Asian, or South Asian descent.

Angry Asian Man - Angry Asian Man is term popularized by an Asian American blogger, Phil Yu. It refers to an Asian or Asian American male concerned with anti-Asian racism and discrimination, as well as internalized racism among other Asian Americans, especially in the media and popular culture.

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